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| Singing from the heart (and the soul) |
Don't let the unusually mild temperatures of late fool you--the long, dreary days of yet another Michigan winter are right around the corner. With the hectic whirlwind of the back-to-school season behind us and the always chaotic holiday season in front of us, it is important to find something you can use to slow down, enjoy a moment of peace and recharge your body, mind and spirit. For me, nothing fits this bill more than live music, performed in front of a small crowd, by local artisans. And there is no finer place to indulge in this pastime than
The Ark. For the past 50 years the volunteers and management of this superb venue have been providing the very best in honest, live musical entertainment to their loyal fans. If the southeast Michigan music scene has a soul, it can be found at 316 South Main Street in Ann Arbor.
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| Buhalis doing what he does best |
On a windy autumn night in November, the Ark presented a night of local folk music from singer/songwriter
Jay Stielstra and several musical guests. Jay chose local songwriter and friend
Chris Buhalis to open the night. I have followed Chris for some time and can say, without reservation, that--in addition to being a remarkable talented songwriter and performer--he is among the finest human beings I have ever met. An old soul in a young man's body, Chris manages to embody all that is best in the hard-working, blue collar people that built the motor city, stocked the arsenal of Democracy and founded the middle class. With his feet planted firmly in tradition and his fingers on the political pulse of the present, Buhalis manages to merge the roles of historian, activist and storyteller into a seamless commentary on the way things are--and the way they should be.
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| Working man's hands |
Like all great American music, the very best songs are often rooted in tragedy. The artistic journey has not been easy for this troubadour of the working class. Two years ago, Chris seriously injured his hand in a table saw accident at work. He was in the middle of recording his second album, "Big Car Town" at the time--an album that may never have been finished it not for an outpouring of support from the local music community to help pay the medical bills and sustain Chris during the long days of rehabilitation. Fortunately, Chris has recovered from his injuries and has begun performing songs from the album. His striped down melodies and rhythms on guitar, paired with his passionate baritone voice color his songs with joy and pain and sorrow all at the same time. Chris has an uncanny knack for lyrical hooks and metaphors that make his songs thought provoking and entertaining. On this evening, two of his songs-- the prohibition era ode to the Detroit area bootleggers "
Whisky Six" and the cautionary tale of timber-era greed "
The Virgins"--brought the crowd to their feet. If you would like to contribute to Chris' kickstarter campaign and bring the rest of this excellent album to life,
click this link.
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| Legendary Songwriter Jay Stielstra |
The night's main event was two sets of original music from Michigan singer/songwriter Jay Stielstra. Far closer to the end of his legendary career than it's beginning, it is fair to say that Jay's old fingers don't always cooperate and play the right note; and that--like all of us refugees of the cultural revolution of the 60s and 70s--he sometimes has trouble remembering the next verse of a song. But, like a favorite pair of old jeans and a worn-out flannel shirt it is these very flaws and imperfections we return to again and again to feel comfortable, alive and at home. Reminiscent of the waning hours of a back-yard fireside singalong, this evening embodied the sense of community music brings to a gathering of friends. The crowd this night sang along with every song--and what songs they are! Part songwriter and part-storyteller, Stielstra's songs draw on familiar Michigander themes with stories of hunting and fishing in the natural beauty around us; songs about loving a pretty girl and disdain for all things "southern". Like a favorite uncle, and with indefatigable sense of humor, Jay delivers the punchline lyrics of his songs with a twinkle in his eye and a smile on his face. To call him good natured would be a titanic understatement. With unforgettable lyrical and melodic hooks, Stielstra's songs are easy to sing along with, fun to share with your friends, and ultimately unforgettable. He is among the very best songwriters you will ever hear.
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| The one and only Judy Banker |
Joining Jay on stage was his long-time musical partner
Judy Banker. A monster singer/songwriter talent in her own right, Judy's voice--whether singing harmony or lead--blends seamlessly with Stielstra adding color and life to the songs. The effortlessness with which they sing together underlies a lifetime of performing together. She also contributes classic folk-style guitar work to the performance. For a light-touch, thumb-and-finger strummer, her playing is remarkably rich and nuanced and provides a very full sound to the band. With a flexible voice that moves effortlessly from a sultry tenor to a crystal clear soprano depending on the mood of the song, melodies flow seemingly effortlessly from her as she sings. Her on-stage banter with Jay is priceless! From reminding him of the next verse with a whisper, a wink and a smile, to plenty of good-natured ribbing, it is easy to see how comfortable they are performing together. It's also great to see how much fun Banker has on stage. She is constantly smiling, often laughing and looks like she's having a great time (and I'm certain that she is!). Judy plays out with Jay a couple times a month, sings/plays with a few other singer/songwriters and folky bands, and somehow even finds time to play with her own band. Find an opportunity to go see her, you will love every minute of it.
Really adding to the evening was the cast of special guests joining Jay and
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| David Roof |
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| Mary Seelhorst |
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| Peter "Madcat" Ruth |
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Judy on stage. Bassist David Roof (yet another superbly talented singer/songwriter in his own right) contributed some killer baritone and bass harmonies, as well as a truly world-class bass solo on one number. Mary Seelhorst carried much of the lead/solo work on the fiddle. She has one of the fullest and richest fiddle tones I've heard and seemed to be having a great time all night. Her washboard/one-man-band rhythm section piece near the end of the night had me in tears. And who wouldn't appreciate Ann Arbor's own Peter "Madcat" Ruth on Harmonica. I have heard all of the best harmonica players, and he is among, if not THE, best of the best. Somehow he can make a simple harp sound like the entire Marine Corp band in a 1" x 3" box! After one of his solos, I heard about 70% of the crowd muttering "wow!" and "unbelievable!" under their breath. On this night, the ensemble on stage was pure magic.
Overall, this was a tremendously relaxing and enjoyable night of music on an autumn night. I've included a few other photos from the evening below. Feel free to tag/share/and use them at will, but give credit to SemiBluegrass.com.
