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Saturday, May 20, 2017
Extraordinary and Undescribable: The Haberdasher and the Tom Toms Live at Churchills
Introducing: The Haberdasher!
After a long, grueling workweek, sometimes you just have to get out of the house and blow out the cobwebs with something completely different. I ran into the Tom Toms atThe New Way Bar last week after a killer show by Samantha Fish at Callahans, and they clued me into their next show at Churchill's in Flint. Better yet, they let me know that The Haberdasher--the new, hard-to-define side project of a couple of killer Port Huron musician's I've gotten to know--would be opening for them. Since I love the atmosphere at Churchill's (killer grub, great beer selection at reasonable prices, no cover and professional, friendly staff and impressive service--check them out) I decided there was no better way to close out a crazy week than catching the show, and Boy Howdy! am I glad I did.
Robing "The Amanuensis" Schweihofer
The Haberdasher is hard to explain; the brainchild of several well-traveled Port Huron area musicians, the band is built around a story-line involving an immortal being traveling through history making music and only known as "the Haberdasher". The band totally immerses themselves in the story, from their eclectic and eccentric costuming (which combines a steampunk ethos with rock star attitude and some inspired choices in hat wear) to their well-structured and cohesive set of totally original music. Reflecting the mythical Haberdasher's journey, their songs span an infinite variety of rock/punk genres from 80s era MTV pop, to classic 90s punk, JPop and even some heavier metal influences. Adding to the complexity and nuance of the songs, the band rotates lead and harmony parts to fit the mood of the song, and is not afraid to dabble in foreign languages--on this night, the presented songs in French, Spanish and Japanese in addition to spoken, sung, growled and shouted verses in every imaginable English accent. Each song features a spoken introduction (often accompanied by a somewhat cacophonous, melodyless musical line plucked, tapped and/or beaten out of guitar and bass, and often routed through a variety of delay, distortion and phasing pedals to create a flowing background.
As you can see in the brief video clip above (sorry about the background noise and people walking in front of the camera--bar crowd), the Haberdasher is mindbogglingly entertaining due in large part to the professionalism of the band members and their assumed identities. Front and center is bassist Ryan "The Orator" McInnis. With a voice that ranges from a deep, gravelly growl to a smooth baritone, and even an classic Irish brogue he lay the vocal foundation to most of the songs, and then builds on it with some killer bass chops that couple perfectly with his rhythm section partners/
"The Orator", "The Horologist" and "The Oculist"
I also know guitarist Robin "The Amanuensis" Schweihofer from his stint
with the Gasoline Gypsies (and more recently, from he and McInnis'
sometimes lewd and ribald take on Irish drinking songs done under the pseudonym The Robin and the Rhino--another band totally worth checking out). He is among the best rhythm guitar players I know, launching himself physically, musically and emotionally 100% into every note he plays. Unable to contain his enthusiasm, he dances, prances and swaggers around on stage as he play and provides nearly unlimited drive and energy to the performance. He's also an accomplished lead player, trading riffs back and forth with lead guitarist Daniel "The Oculist" Peake--who's tone-dripping work on a well-loved Les Paul serves as perfect counterpoint to Schwei's Stratocaster licks. Holding everything together with an all-consuming pocket groove is drummer Steven "The Horologist" Krautz, who's lightning-quick hands, and incredibly light touch give every note a sharp attack, as clean as the CRACK of breaking glass and always right on the front edge of the beat. As a fairly new band, I was blown away that they were prepared to present not only a 45-minute set of purely original music; but that they were obviously well-rehearsed, cared enough to develop their characters and even brought a 9-song live EP for sale (Professionally produced and recorded live at Schwonk Soundstead in Port Huron--and already on it's 10th trip through my CD player as it really captures the spirit of the band!) Go see The Haberdasher, you will not be disappointed.
Ladies and Gentlemen, The Tom Toms
You would think that--after having my mind absolutely blown by the Haberdasher--that I'd be ready to call it a week and head home for some must deserved sleep--and you couldn't be be more wrong. The headliner for the night was local Flint band The Tom Toms. Mind blowing in their own way, I have been a fan of the band since they absolutely stole the show at Folk In The Woods last summer. The band delivers some pure Southeastern Michigan rock led by the killer talent of guitarist Chris Day, his wife Kayla (lead vocals), sister Elaina Day (bass) and new addition Micha Mac on drums. I am always blown away by Chris' work on his Les Paul--plugged directly into the amp (as it should be). He is able to coax incredibly nuanced sounds and tone from his instrument with seemingly effortless ease. Early in the evening, Chris kicked off an inspired cover of the Jackson Five's monster hit I Want You Back, perfectly capturing the Motown Funk and Soul of the song while somehow making it his own. If Chris provides the band's soul, Kayla is it's heart; putting everything she has into every word, every move and every facial expression on stage. She has mastered the art of balancing unbridled enthusiasm with an honest vulnerability on stage that gives incredibly authentic power to her words. She is a pleasure to watch sing. A highlight of the evening was her playing a couple slide riff's on Chris' guitar using a half-full pint glass of beer--and she didn't spill a drop!
The Girls in this band can BRING IT!
Every time I see Elaina Day play the bass, I think that Robert Palmer blew it when he shot the famous video for Addicted to Love which featured some barbie-doll model types dancing and prancing on stage while simulating playing along with the band. The truth is none of these women could hold a candle to the natural beauty, killer musical talent and pure, authentic joy Elaina brings to to every performance. Micha May--a recent, and perfect, addition to the band's sound--sits behind the kit like a classic jazz drummer; confident and talented as she effortlessly provides clean, clear and complex beats to compliment the band's sound. Want a taste of the Tom Tom's sound? Check out the video from there latest album, Runaway, HERE. Or better yet, go HERE and listen to some samples and/or buy yourself a copy. This is a killer album of orignial rock music highlighting the depth and breadth of what Detroit and Flint rock could--and should--sound like. Lots to like here. I'm currently losing the battle to get the quirky Trust Octopus out of my head from the live performance last night--it's a real earwig. The Tom Toms, The Haberdasher and Churchill's...three great reasons to get out of the house! Go check them all out.
Various assorted pics from the night LINKED HERE. Like what you see? Follow SeMiBluegrass on facebook for more band, album, show, venue and product reviews about the live, local music scene in Southeast Mighigan. Pictures are publicly avaialable. Please tag, share and distribute freely with credit and linkback to SeMiBluegrass.
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Well deserved praise. Of note: The Haberdasher's live album was recorded and mastered at The Schwonk Soundstead.
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